Druid Craft Tarot and 80 page booklet Red Wheel/Weiser

At a time when we seek a closer connection with the natural world, this beautiful deck invites us to celebrate the earth and the rhythm of her seasons.

Combining the two great streams of Western Pagan tradition – Wicca and Druidry – Philip and Stephanie Carr’Gomm, together with artist Will Worthington, have created a tarot of extraordinary depth and relevance that can help guide and illuminate your life.

The DruidCraft Tarot’s powerful images have emerged from a vast store of teachings and story-telling rooted in our ancient past. Use them as gateways to your inner spiritual world, and deepen your knowledge of yourself and of the earth. Let the natural wisdom of DruidCraft bring you insight and inspiration for the life issues that you face today. 

This is the Small Box version with an 80 page guidebook.  Also available in a fill size boxed version with 192 page book. 

Specs

• Pack information: 78 cards & 80 page guide book
• Card dimensions: 90 x 140 mms 
• Author: Philip and Stephanie Carr-Gomm

Arthur

Philip Carr-Gomm, Stephanie Carr-Gomm

Philip Carr-Gomm was born in London, raised in Notting Hill Gate, and educated at Westminster School and University College London. His father was Francis Eardley Carr-Gomm, brother of humanitarian Richard Carr-Gomm.

He met his first spiritual teacher, Ross Nichols, the founder of The Order of Bards, Ovates and Druids, when he was 11. He began studying with him when a teenager, and joined the Order when he was 18. He studied meditation with Olivia Robertson in Ireland, who later founded the Fellowship of Isis, and in his twenties he founded The Esoteric Society in London, which organised journeys for members to Bulgaria and Egypt, and hosted talks by well-known authors such as Gareth Knight, W. E. Butler, and Arthur Guirdham.

In 1975 Nichols died, and Carr-Gomm followed a Bulgarian teacher, Omraam Mikhael Aivanhov for seven years, giving talks on his teachings and helping with the translation and publishing of his books into English. He also travelled to Bulgaria and studied the work of Aivanhov’s teacher, Peter Deunov, visiting Sofia annually for fourteen years, teaching Deunov’s Paneurhythmy dance in England and at Findhorn in Scotland. In his thirties he turned to a study of psychology, taking a BSc degree at University College London and Jungian analysis, with plans to become an analyst. On discovering Psychosynthesis, he trained instead as a therapist at the Institute of Psychosynthesis in London and began a private practice.

In 1988 he was asked to lead the Order of Bards, Ovates and Druids. He organised the Order’s teachings into a distance-learning course, and edited Nichols’ Book of Druidry with John Matthews. Since that time, the Order has grown to become the largest Druid teaching order in the world, with Professor of History Ronald Hutton writing that ‘the OBOD correspondence course arguably represents one of the major documents of British spirituality from the late twentieth century’.

Artist

Will Worthington

Will Worthington will be known to many readers as the artist for The Druid Animal Oracle, but in this new work he has moved from using gouache to tempera – a method favoured by the Renaissance artists, using ground minerals and egg yolk. The artwork Will has created is extraordinary – it almost seems to glow, and each card seems to act like a window on a magical world that Will reveals. In the accompanying book Will explains how he worked to create the cards, and the special typeface he designed to illustrate the cards and book.